![]() ![]() Alternatively, another way of simply synchronising multiclock to a DAW is to load the special sync sample downloadable from the dedicated E-RM Erfindungsbüro webpage ( downloads.php). multiclock makes such superlative synchronisation possible by providing an audio INPUT (1/4-inch jack socket) to process a special sync track generated from the company’s downloadable multiclock AU/VST plug-in (for Mac OS X/Windows) namesake. To put that fanciful figure into its rightful context, consider that jitter here is as low as ☒0 μs (microseconds) and that one microsecond is to one second as one second is to 11.574 days! Do the math. Synchronising multiclock to a master DAW relies on a sample-accurate audio clock stream, which, in turn, guarantees gloriously-tight clock signals to within ☑ sample of jitter - jitter being defined as the undesired deviation of a periodic signal from the ideal timing. ![]() The key to multiclock’s reliability and innovation is its ability to acquire a variety of sync signals from an Audio Sync track, as opposed to relying on a MIDI Clock signal. Doing this is easier said than done from a technical standpoint, so how has E-RM Erfindungsbüro apparently achieved the impossible with something so small and simple to use, then? Put simply, it is built to overcome all of the well-documented problems associated with achieving tight synchronisation of sequencers, drum machines, arpeggiators, and other external equipment with each other and also within the workflow of a DAW. Multiclock’s ‘mission impossible’ is to therefore act as a one-stop shop for creatively synchronising all kinds of musical equipment to a master DAW with the greatest of ease and, obviously, precision. ![]()
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